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Paul wrote:Yes - very interesting. Both CNR and Tsoknyi Rinpoche have said that essence mahamudra's tha mal gyi shepa and rigpa are identical.
Astus wrote:Is this some fixed set of instructions? Even in the book Crystal Cave they follow each other.
I find that this short poem of the 16th Karmapa rhymes well with Milarepa's: Heart of Mahamudra
Paul wrote:Yes - very interesting. Both CNR and Tsoknyi Rinpoche have said that essence mahamudra's tha mal gyi shepa and rigpa are identical.
heart wrote:Paul wrote:Yes - very interesting. Both CNR and Tsoknyi Rinpoche have said that essence mahamudra's tha mal gyi shepa and rigpa are identical.
Also many other Lama's. But to me it always been a bit confusing since all longer Mahmudra texts contain a gradual path of shine/lhaktong and the four yogas. This is certainly not the Dzogchen style except in Semde, now this statement make it match more the Menngakde Trechö.
/magnus


Paul wrote:heart wrote:Paul wrote:Yes - very interesting. Both CNR and Tsoknyi Rinpoche have said that essence mahamudra's tha mal gyi shepa and rigpa are identical.
Also many other Lama's. But to me it always been a bit confusing since all longer Mahmudra texts contain a gradual path of shine/lhaktong and the four yogas. This is certainly not the Dzogchen style except in Semde, now this statement make it match more the Menngakde Trechö.
/magnus
Tsele Natsok Rangdrol explains trekcho according to the four yogas of Mahamudra in Circle of the Sun. There's also a very interesting presentation of the four visions of Dzogchen in relation to trekcho in Quintessential Dzogchen, near the bottom of page 33 in the text The Vital Essence by Shakya Shri Jnana - this seems to me to match the four yogas of Mahamudra almost exactly.
heart wrote:
Interesting.I have high esteem for Garchen Rinpoche.
/magnus

The Tibetan word lada is translated as "utterly releasing". Utterly releasing means abandoning all doubt and hesitation in our meditation and settling decisively on what mind is. Lada literally means leaping over a pass rather than going over in a step-by-step progression. Lada in the mahamudra tradition corresponds to tögal in the Nyingma dzogchen tradition, which literally means “leaping over.” The term lada conveys the sense of having complete conviction and practicing with total freedom from doubt. It is like going up a mountain in a car: There is one long route that winds up the mountain in a slow careful way and another short, difficult route that goes straight up the mountain and requires great exertion. We are not going to take the long easy route; instead we are going to take the short cut, which is very quick but very difficult.

Adamantine wrote:But correspond means what exactly? I am assuming
there are not practices that work with visual
phenomenon and light in the same way Thogal
practices do...
Malcolm wrote:Adamantine wrote:But correspond means what exactly? I am assuming
there are not practices that work with visual
phenomenon and light in the same way Thogal
practices do...
It is a literal definition i.e.la bzla ba (which is a Dzogchen term incidentally, it is a very old Tibetan word) means "to transcend, to go beyond", thod rgal means literally, in a sutra sense "skipping bhumis", which how it is used in sutra.
heart wrote:Astus wrote:Is this some fixed set of instructions? Even in the book Crystal Cave they follow each other.
I find that this short poem of the 16th Karmapa rhymes well with Milarepa's: Heart of Mahamudra
I don't know, CNR is teaching them right now as a set. He said he received them from the 16th Karmapa seven times, which make it sound like they might be a part of a set.
/magnus
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